The semantic displacement is one of the most important graphical methods that allowed poetry to overlook the worlds of creativity. Leach sees that the displacement is divided into eight sections: rhythmic displacement, temporal displacement, stylized displacement, displacement of dialects, mineral displacement, exclusivity of vocabulary, grammar displacement, and written displacement. In this study, according to the descriptive-analytical approach, we shed light on the semantic displacement in the Diwan of the sun's lover, Hazber Mahmoud, who, according to his written ability, was able to move away from the familiar prevalence in poetic patterns within the context of Another statement. Among the most important axes in the semantic displacement, the metaphor and graphical structures used by the poet to form his own poetic space, which is (code, eloquent analogy، The metaphor), as the style overshadowed the manifestations of his poems, which were removed from the norm by the structures through which the poet struck the vocabulary together to produce meanings in a new suit. We conclude that Hazber Mahmoud, one of those who moved away from the modern norm with a new hair style and metaphors that crossed the boundaries of borrowing in poetry to a wider circle, can be borrowed as a long text and has intentionally introduced poetic structures New, unique to others, and we found in the hair of Hazber Mahmoud what was included in Leach's theory of displacement.