Islam left a clear impact on early Islamic literature, and a study of the poetry of Abdullah ibn Rawaha reveals the signs of this influence derived from the Holy Quran. In this research, we studied the impact of the Holy Quran on his jihadi poems, which were chanted during the Battle of Mu'tah, within the framework of Quranic intertextuality, based on Julia Kristeva's theory, using a descriptive and analytical approach. The result is that the phenomenon of intertextuality, as Kristeva sees it, is evident in his poetry. From the perspective of partial negation, we find a deep connection between the present and absent texts in terms of words and concepts. This means that he uses only a small amount of the same vocabulary from the Holy Quran in his poetry, while those that are similar in meaning are frequently used. Similarly, the concepts in his poetry are a continuation of the concepts of the Holy Quran. From the perspective of parallel negation, we find that he draws on meanings from the Holy Quran, preserving their original essence, and then narrating higher concepts of his own, creating a perfect harmony between these two. The poet is content with concepts derived from the Holy Quran and does not recite poems that explore new concepts to express his wisdom and philosophy, which leaves him within the framework of total negation. In his poetry, he utilizes the framework of partial and parallel negation almost equally, while total negation is not utilized in these poems.