There is no doubt that the novel is one of the most important literary genres that are full of signs, and as soon as one of them is interested in revealing signs, he resorts to semiotics. Semiotics is a procedural process that envisages revealing the system of signs, that is, the verbal units in the text, and it opens up new avenues and horizons that illuminate the unknown artistic expression of the reader. Iraqi literature after witnessing wars in the modern era, tyrannical governments, and the presence of the other in the Iraqi homeland; His old features have changed, and the stage of standing up to tyrants has begun. From this standpoint, we can arrange the writers in this field as follows: Some of them wrote realism without resorting to signs, signifiers, and others, and some of them found their desire in symbols, signs, and signifiers, so they multiplied signs within the text. Sinan Antoun was the voice of the sectarian minorities in Iraq, as he reflected in his texts the Iraqi pain in recent times, and he used signs to reveal his intentions to those who covet more than the appearance. For this, through the descriptive-analytical approach, we will study the novels of Sinan Antoun in a semiotic study, and we have chosen the most important of his novels that dealt with Iraqi minorities. At the beginning, we studied the novel “Oh Mary” and then the novel “Alone with the Pomegranate Tree.” It is performed in the fictional text, and the importance of the research lies in focusing on the semiotic approach and extracting the types of semiotic signs from a symbol, indicator and icon, and analyzing the semiotic connotations and revealing their functions in the title, cover and colors.