Expressing emotions is an essential element in the aspects of singing expression, the poet's path to self-experience, and wishful thinking is at the heart of singing expression and represents the deepest dreams and suffering of the soul. I offer this research on the approach of wishing formulas in Diwan (Ya Inab al-Khalil) to Ya Inab al-Khalil, and I subject the results of the sightings to analysis and demonstrate the aesthetic dimensions and their role in representing the self-experience. The descriptive curriculum and the explanatory analytical curriculum have been adopted in the study of evidence, and it has been noted that the wishful (Law/If) tool has overwhelmed the presence of others, and say the coming of ( layta/ wish) while it is the tool originally designed for this purpose. In addition to the singing dimensions but (law/if) wishful methods included the characteristic of brevity, which is specific to the poetry of modernity and its highlights. The study revealed a distinctive presence of the wording of the order and the termination and questioning of man/who to indicate the distress and wishes together. He found that the poet's fondness for this method was due to the inability of oppressed man to confront reality and deter injustice. His frustration at returning to a homeland where he longed to return to him and if he had a negligent appearance of nature or a lifeless corpse under a Grape tree.